Archive for February, 2010

Back in the generally squalid and chaotic ambiance of Manila after a forthnight of refreshing trip abroad, I passed by the newly erected monument to Cory Aquino. What I found was horrendous to say the least. This monument was personally financed by the gun-tooting and aesthetically-deficient, Mayor Alfredo Lim after the Aquino family rebuffed the ingratiating attempt of the reviled president to put up a memorial to Cory at the Rizal Park. The newly constructed monument was placed side by side with the existing monument to Ninoy Aquino at the corner of P. Burgos St. and Roxas Boulevard.

Nobody but nobody is going to criticize something that is a tribute to “santa” Cory Aquino as it will be construed as heresy or worse, apostasy by the members of the Cory Aquino cult. Nobody will also dare to criticize the work of Eduardo Castrillo who is in line to be proclaimed as another so called a “national artist,” for the sheer number of his distorted national erections. But be that as it may, I have taken it upon myself to do so. One does not really need a high artistic qualification to realize how these suppose works of art are atrociously modeled or sculpted and installed. One simply has to see not just look.

As the cliche goes, “a picture is worth a thousand words,” so I am sharing here the pictures I took of the conjugal monuments to Ninoy and Cory Aquino.

This picture was taken from my vehicle while I was waiting for the go signal. I thought the palm trees planted around the monuments are inappropriate as they will grow tall in no time and obscure the monuments. There is a reason for this as I discovered later. The statue of Cory looks ridiculous as the head, hands and feet are all out of proportion to the body. The statue of Ninoy Aquino seems alright from a distance until closer inspection.

A closer shot of the statue showing two versions. The original on the left and the one I retouched on the right. As you can see, the head of the touched up version is more proportionate to the body. Surely, Cory is not that brainless to have such a shrunken head! The diminutive hands and feets were not retouched. Note that Cory Aquino is standing on a sloping base which does not look stable. In feng shui terms this is very unpropitious. It reminds me of the 'falling down the stairs' statue of Ninoy which was unceremoniously taken away from Ayala Ave. and relocated in Tarlac because it did not augur well to the feng shui-minded business people of Makati. Is this the icon that will bring good luck to Noynoy's presidential campaign? I doubt it.

Is this anywhere near like Cory's visage? The hand and fingers are all out of proportion.

The over done pedestal is too busy as if someone is trying to make a statement and compete with the statue. It failed to consider the commemorative plaque which will be placed upon it. Clearly, the plaque seems to be an after thought as it is not fitted against the column. The brass wording Pres. Corazon C Aquino above the plaque is really superflous. Make no mistake about it. There is nothing patriotic about the underwriting of Cory's monument by Alfredo Lim. It is nothing but a shrewd political move as evidenced from his name in the first sentence of the plaque. I am glad he did not etch his name on the it!

If Cory Aquino's statue is one thing, Ninoy's is another. I don't know who did his statue but since I took a closer look at it, there are details that I find awfully awkward. Note the right hand of Ninoy. It is as if he is going to claw somebody. Is this an icon of crab mentality? It is the most unnatural position of a hand. Try it yourself and you will realize that it takes some doing to spread the fingers like what is depicted here. How undignified! And what is his left hand holding? What is the significance of those papers? It reminds me of Ninoy's son Noynoy in the campaign trail who cannot talk to his audience without holding on to his notes.

The trite quote from Ninoy is etched on one side of his pedestal. The plaque is also ill-fitted.

Behind the palm plants lies an empty pool filled with rubbish. I now understand why they put those palm plants instead of a low flowering hedge which is more appropriate. It is a lame attempt to hide this eyesore. I cannot understand why after spending so much for the monuments nobody thought of cleaning up the place or filling it with earth for ornamental plants. This is so typical pinoy, beautifying only the front and not minding what is behind.

Juxtoposed with the trash and the trashy monuments of Cory and Ninoy is the Legaspi and Urdaneta monument. Erected in 1912, it could be considered one of the finest historical monuments in the country. Sadly, this classical work of art has been vandalized and looted as many of the bronze decorative elements on the four sides of the monument are now missing. Even the commemorative plaque has been stolen. It appears the National Historical Institute (NHI), who is incharge of all monuments in the country, does not care about the pathetic state of this fine monument. If the government does not care for the preservation of such monuments, who will? No wonder Filipinos in general does not seem to have much historical appreciation. Without historical appriciation and perspective, a country and its people are bound to fail. Shame on Ambeth Ocampo, the NHI chairman, who would rather tag along at Gloria Arroyo's unconscionable foreign junkets than take care of something like this.

Serendipity…. When I asked my host in Singapore to bring me to Chinatown as I wanted to buy some special Chinese tea, little did I expect that my afternoon would be filled with propitious and memorable moments. Looking for a space to park his car, my host found one right in front of a beautiful temple. He is a Christian and while he has lived in Singapore for some time, he has not been into this temple so I asked him if we could visit. If the exterior of the temple is impressive, what awaited us inside was magnificent and grandiose.

The temple follows Tang Dynasty architectural style incorporating the concept of the Mandala, or Buddhist universe.

The Buddha Tooth Relic Temple and museum is a living cultural monument in the heart of Chinatown housing the sacred Buddha’s tooth relic that came from Sri Lanka. The relic is contained in a 2 meter high stupa made of 320 kilograms of solid gold donated by devotees.

Aside from this specific tooth relic, another relic of the tooth of the Buddha is currently in Lingguang Temple in Badachu, Beijing, China, Fo Guang Shan Monastery in Kaohsiung, Taiwan, the reliquary hall (shariden) of Engaku-ji in Kamakura, Japan and in Kandy, Sri Lanka where all others originated.

According to Sri Lankan legends, when the Buddha died, his body was cremated in a sandalwood pyre at Kusinara in India and his left canine tooth was retrieved from the funeral pyre. This relic was secretly transported from India to Sri Lanka.

100 DRAGONS HALL or MAITREYA HALL - The temple is dedicated to the Maitreya Buddha, believed to be the next Buddha. Entering the breathtaking 27 feet high main hall of the temple, visitors can see the beautifully carved wooden seated Maitreya Buddha image with standing two dieties flanking it. From the grandeur and fine detail seen in this hall alone, visitors can appreciate the work of dedicated craftsmen who contributed their skills to this temple.

My host, Noel, by the side of the main altar with exquisite silk embroidery background.

The canopy above the Maitreya is surrounded by lacquered panels.

Red lacquered wall to wall niches with Buddhas line both sides of the main hall.

Behind the 100 Dragons Hall is the UNIVERSAL WISDOM HALL or AVALOKITESVARA HALL. A beautifully handcrafted Bodhisattva Avalokitesvara sits upon an elaborate lotus with caligraphic Paramita Sutra behind.

Along the sides of the Avalokitesvara Hall are the Zodiac Protectors. According to Japanese Buddhist culture, there is a corresponding Protector for each Lunar Zodiac animal.

The Protector for my year of the ox is Akasagarbha. The Protectors engages in His vows that whoever prays to the respective Protectors with faith would be blessed by Him. This would enhance individuals’ wisdom, career and harmony in family.

SAMATABHADRA HALL or NAGAPUSPA BUDDHIST CULTURE MUSEUM An impressive collection of Buddhist artefacts is displayed on the third level of the temple. The featured artefacts encompass all three branches of Buddhism and relates the events in the life of the Buddha.

A collection of bronze Thai seated Buddhas in different postures are housed inside a vitrine.

Mahayana Buddhism's Big Belly Maitreya is a popular icon for good luck.

The death or paranirvana of the Buddha depicted in a stone frieze of Gandhara Period
(6th c. BC - 11th c.). Greco-Roman artistic style influenced the Gandara Period.

The Sacred Buddha Tooth Relic Chamber is in the 4th level of the temple. The sacred relic is housed in an inner chamber behind glass windows. The gold stupa is sheltered by a gold canopy while the floor of the chamber is lined with gold tiles. Only monks have access to the inner chamber to conduct the various daily rituals. Members of the sangha or Buddhist community can venerate and observe the daily services from the public viewing area.

A much needed blessing to start the new year: a monk chants and invokes a benediction.

Ten Thousand Buddhas Pagoda housing the large Vairocana Buddha Prayer Wheel is in the roof of the temple. It has a garden planted with orchids named after the temple.

The walls of the pagoda are studded with rows and rows of small Buddhas.